On her 70-year career, Louise Bourgeois has established herself as a world-renowned artist who left an indelible mark on the art world. This film offers an intimate portrait of this sculptor whose art is a reflection of her personal life. With exclusive audio recordings and unpublished personal archives, it tells the story of the artist’s life and work as they merge. Louise Bourgeois is her work and her sculpture is her body.

一名男子掉进冰封的湖里后死亡。在死亡几分钟后，他被救活了。一种新药在他身上进行测试，以修复脑部损伤。服用这种药物后，他变得越来越聪明。

A man falls into an ice covered lake and dies. He is brought back to life after being dead a few minutes. A new drug is tested on him to repair brain damage. He grows increasingly more intelligent from the drug.

Set in 2020. After the death of his daughter, a leading figure in intelligent technology industry hides himself far from the madding crowd and stays with intelligent robots. He inexplicably becomes a murder fugitive when an accident happens, and falls into a trap step by step.

On the run from a New Jersey crime family, two brothers wend their way to Los Angeles, where they make their dream of owning a restaurant a reality. But their life in hiding life becomes complicated when their lives are torn apart by their love for the same woman.

A couple is set in their monotonous life until the husband has a homosexual affair with a young male prostitute. Suspicious of her husband, the wife seeks the truth and eventually ends up in bed with the same young man. Their desire has a new meaning.

A silver screen actress drifts in and out of her character as she longs for the love of her co-star.

DESIRE is a non-chronological collage constructed from a corpus of materials drawn from the genre of melodrama. The work, grounded in the practice of decoupage, spans approximately three decades—from 1932 to 1958—and includes titles from the United States, Argentina, Great Britain, Finland, Italy, Japan, Mexico, and Spain. 　　Desire traces both a diachronic trajectory across time and a synchronic one within time, weaving a particular history of cinema along a temporal axis that is at once specific and archetypal. History itself, though continually shifting in its spatial and temporal configurations, appears to endlessly reproduce the same figures—interpreters who, beyond the specificity of their human and historical identities, seem fundamentally unchanged in gesture, modality, and essence. This recursive logic—an endless slipping and rising, ad infinitum—emerges in the film as a desperate attempt to escape a condition of human existence, here marked as specifically feminine, subjugated by the flow of time as a secularized and systematic machinery of power. 　　The film thus unfolds as an expression of impossibility ab ovo: the impossibility of a total liberation from the archive, understood as archè—sign, origin, and principle. Even when memory is reduced to ashes, the film’s figures wander along the threshold between presence and absence, suspended within the realm of desire.

Married Alma spends a fateful weekend away from home that ignites passion, ends in tragedy and leads her to question the truth about those close to her.

Toni, a very accomplished social worker and award winning nurse, is engaged to successful physician, Dr Ralph Mallory and works in a hospital run by Ralph's father. 　　Following the death of her teenage son, Toni is acutely aware of how short life can be and is determined to live it on her terms. 　　Van, Toni's best friend also works in the hospital and has been a great support throughout her recent ordeal 　　On the surface, a well adjusted middle class woman in a stable relationship, we are soon made aware of Toni's long term longing for women and her struggle to deal with it and conform.